Vintage Teak Reclining Lounge Chair & Ottoman By, Svensson, Fritz Hansen - During the nineteen fifties, like many of his swedish and scandinavian contemporaries, svensson utilized traditional materials together with richly grained teak and rosewood, and leather-based to create pieces that had been typically designed inside the scandinavian modern-day fashion. Examples encompass the contour front room chair (1950s) and the te-ve chair (1953) for ljungs industrier; the congo clean chair (1954) for haga fors; the sectional domus 1 chair (1955) for dux, which was in the beginning designed for the h55 exhibition in helsinborg, sweden; and a high again reclining living room chair (1957) for fritz hansen. Svensson additionally designed tables for tingströms, lighting for bergboms, and storage answers for bjästa.
as a graduate student in architecture skilled by finn juhl, vodder made his mark in the 1960s, when contemporary design had gained wide popularity, particularly within the enterprise world. As a consequence, a lot of vodder’s chairs are quiet in shape — projecting an air of durability and electricity, rather than avant-garde styling.
vodder’s aesthetic flair become very pronounced in his shelves and storage portions — sideboards, bookcases, credenzas and buffets. In such pieces, vodder liked to play with asymmetry. His bookcases frequently have a seemingly random array of variously sized shelves and nooks. An average vodder sideboard may have four sections, every distinctive in motive and appearance: an open stack of vertical cabinets, and other cupboards included with sliding panels in contrasting colored laminates and wooden veneers. As you may see from the works on those pages, arne vodder had a sense of what kind of design changed into appropriate for which area: sobriety within the boardroom; playfulness at domestic.
Swedish furniture fashion designer alf svensson (1929-1992) changed into specially energetic in the 1950s thru the ‘70s, designing , storage , tables , and seating for a diffusion of influential producers. No longer a wealth of records is to be had on svensson, and even though it is obvious that his paintings spans various fields of furniture design, it's far his seating designs which are exceptional represented on the antique marketplace.
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Throughout the nineteen fifties—thank you particularly to the contributions of architect arne jacobsen—fritz hansen entered its golden generation, creating a number of the maximum iconic scandinavian designs of the twentieth century. Arne jacobsen’s ant chair (1952), swan sofa (1958) and egg chair & ottoman (1958), in addition to later designs by using verner panton, piet hein, and grete jalk, all helped to cement fritz hansen’s legacy as one of the maximum loved manufacturers of high exceptional, easy-yet-elegant, danish present day furnishings.